Tag Archives: Jake Gyllenhaal

The Academy & I: 2007

 

 

Writers-strike

On November 5th 2007, the Writer’s Strike began and took Hollywood by storm. Fighting for increased compensation for their work, the members of the Writers Guild of America had officially decided to take a stand against the studios in town that had been turning a heavy profit from DVD releases, the Internet and other multi-media forms that used the writers’ works. Many feared the impending Academy Awards ceremony, set for February 24th 2008, would not go off as planned and without any of the individuals who they planned on awarding. These fears were all for naught, however, as the writers struck a deal on February 12th and the strike became a thing of the past.

While many remember this particular awards season for the strike, other cinephiles remember 2007 for being one of the finest years for film in recent memory. Not only did the year give us an exceptional new Coen brothers film, but it also marked the return of one of America’s infrequently seen auteurs, Paul Thomas Anderson, whose There Will Be Blood was about as bombastic a return-film as one gets. The year also saw the arrival of a new writing voice in Diablo Cody, while also sporting some of the finest acting performances many had seen in quite some time.

As I delve into this particular year in film, I will highlight nine of the categories of this particular Academy Awards ceremony and discuss how differently (or similarly) I saw the very same year in film.

Best Cinematography

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2007 was one of those years where film-goers were treated to such an embarrassment of riches when it came to cinematography. From the hauntingly barren old fields of Robert Elswit’s work in There Will Be Blood to the double-bill of visual splendor Roger Deakins provided in No Country for Old Men and The Assassination of Jesse James by the Coward Robert Ford, you’d be hard-pressed to find a flaw in any of the Academy’s nominations. While Elswit deservedly won the Oscar for his work, seeing Deakins be the bridesmaid yet again on awards night was certainly a tough pill to swallow. Many would argue that his work in Jesse James is a career-best, and I wouldn’t disagree. For such a renowned artist as Deakins, it’s hard to believe he has yet to win an Oscar. Here’s hoping that changes sooner rather than later.

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Andrew’s Journey Through TIFF 2013: Episode III

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The Toronto International Film Festival is one of the first stops on the journey through film awards season. This year, Andrew was fortunate enough to be in attendance and is now recapping the films and events he attended while at TIFF.

TIFF Day 6

With bright and early screenings now a thing of the past for my festival experience, I had the great pleasure of sleeping in on this day. I dreamed of what might occur if I was to meet my idol who just so happened to be the star of the next film on my docket.

David Gordon Green’s Joe

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Nicolas Cage. What else needs to be said? Some love him and some hate him, but the haters always seem to forget that not only does he have an Academy Award bearing his name, but when on he remains one of the most talented actors in the biz. Now I get it, his recent string of endless sub-par action films leaves a lot to be desired, but every once in awhile he chooses a role that truly lets his artistry shine. Thankfully, Joe just so happens to be the latest. Playing the titular ex-con with an underlying mean streak, Cage gives a nuanced and (for the most part) subdued performance. Youngster Tye Sheridan is every bit his equal as Gary, a kid new in town who is looking for work and who Joe takes under his wing. Gary’s father (Gary Poulter) is abusive and is constantly taking money from Gary to fuel his rampant alcoholism. Under the helm of David Gordon Green, who has already released one great film this year in Prince Avalanche, the film is visually stunning with his signature brand of cinematography. While the film loses its focus at times and certainly has its fair share of disturbing moments, Green and his actors make sure to ground the film in a dark reality that seems true to life in this small Texas town. Whether you love him or you hate him it’s hard to argue that this isn’t another great Cage performance, and while us fans would certainly love for him to keep choosing these interesting off the beaten path roles, somebody’s gotta pay those taxes. Long live The Cage.

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