Tag Archives: Roger Deakins

Andrew’s Top Ten Films, Favorite Performances, And Other Bests of 2013

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Although in the past couple of years it’s taken me a few more weeks to see every film I’ve needed to from the year prior, 2013 was such an excellent year that I simply couldn’t wait for every film to come to me. And so I made my annual journeys up to Boston to see many of the films I was anticipating, even with the knowledge that they would be released where I live just a week or two later. What can I say? I’m an addict, and with my addiction comes the yearly, painstaking process of chopping my favorite films list down to ten. Doing so after a year that was particularly strong like 2013, especially in terms of independent film, has honestly never been more difficult. For 2013, a top twenty may have been more reflective, but I have to fit in and thus, only ten will do.

In addition to compiling my top ten, I’ve also singled out my favorite performances of the year, while also calling attention to those directors, writers, cinematographers and editors who I personally feel did the best work of the year. I’ve also decided to single out those movie scenes and shots that left an indelible mark on me when I left the theater. Also, while nine of the films in my top ten will not be ranked in any particular order, I will single out my favorite film of the year.

With 2014 now upon us and many new big-screen experiences to look forward to in the coming months, it’s always important to reflect on the year that has just past. Here’s hoping the year in film that was 2013 will stand the test of time as a great example of the eclectic tastes of the various members of both the Hollywood and independent film communities. Away we go.

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The Academy & I: 2007

 

 

Writers-strike

On November 5th 2007, the Writer’s Strike began and took Hollywood by storm. Fighting for increased compensation for their work, the members of the Writers Guild of America had officially decided to take a stand against the studios in town that had been turning a heavy profit from DVD releases, the Internet and other multi-media forms that used the writers’ works. Many feared the impending Academy Awards ceremony, set for February 24th 2008, would not go off as planned and without any of the individuals who they planned on awarding. These fears were all for naught, however, as the writers struck a deal on February 12th and the strike became a thing of the past.

While many remember this particular awards season for the strike, other cinephiles remember 2007 for being one of the finest years for film in recent memory. Not only did the year give us an exceptional new Coen brothers film, but it also marked the return of one of America’s infrequently seen auteurs, Paul Thomas Anderson, whose There Will Be Blood was about as bombastic a return-film as one gets. The year also saw the arrival of a new writing voice in Diablo Cody, while also sporting some of the finest acting performances many had seen in quite some time.

As I delve into this particular year in film, I will highlight nine of the categories of this particular Academy Awards ceremony and discuss how differently (or similarly) I saw the very same year in film.

Best Cinematography

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2007 was one of those years where film-goers were treated to such an embarrassment of riches when it came to cinematography. From the hauntingly barren old fields of Robert Elswit’s work in There Will Be Blood to the double-bill of visual splendor Roger Deakins provided in No Country for Old Men and The Assassination of Jesse James by the Coward Robert Ford, you’d be hard-pressed to find a flaw in any of the Academy’s nominations. While Elswit deservedly won the Oscar for his work, seeing Deakins be the bridesmaid yet again on awards night was certainly a tough pill to swallow. Many would argue that his work in Jesse James is a career-best, and I wouldn’t disagree. For such a renowned artist as Deakins, it’s hard to believe he has yet to win an Oscar. Here’s hoping that changes sooner rather than later.

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